Her first novel, Rose et Blanche (1831), was in collaboration with Jules Sandeau (a shortening of his last name provided her with the pseudonym which she kept all her life), with whom she had previously written articles for the journal Figaro. Of her own novels, La Mare au diable (1846, tr. The Haunted Pool, 1890) and Les Maîtres sonneurs [the master bell-ringers] (1853) are considered masterpieces. Notable also are Indiana (1832, tr. 1881), Mauprat (1837), Consuelo (1843, tr. 1846), François le champi (1848, tr. Francis the Waif, 1889), La Petite Fadette (1849, tr. Fanchon the Cricket, 1864), and Contes d'une grand'mère (1873, tr. Tales of a Grandmother, 1930), a collection of Breton fairy tales. All these books are distinguished by a romantic love of nature as well as an extravagant moral idealism. She also wrote a number of plays. Much of her work was autobiographical, notably Histoire de ma vie (1854); Elle et lui [she and he] (1859), which concerns her life with Musset; and Un Hiver à Majorque [a winter in Majorca] (1842), about her life with Chopin.
See her Intimate Journal (1929, tr. 1929); biographies by A. Maurois (1951, tr. 1953), C. Cate (1975), R. Winegarten (1978), B. Jack (2000), and B. Eisler (2006); studies by R. Doumie (1910, repr. 1972), W. G. Atwood (1980), J. Glasgow, ed. (1986), K. J. Crecelius (1988), and B. Eisler (2003).
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