Sontag's essays on radical politics are collected in Styles of Radical Will (1969). She meditated on the nature of photography in On Photography (1977), explored the ways in which disease is demonized in Illness as Metaphor (1978) and AIDS and Its Metaphors (1989), analyzed various modernist writers and filmmakers in Under the Sign of Saturn (1980), and reassessed her ideas on photography's relationship to human suffering in her last book, Regarding the Pain of Others (2003). Many of her short nonfiction pieces from the 1980s and 90s were collected in Where the Stress Falls (2001). The late essays and speeches in the posthumous collection At the Same Time (2007) reflect her often less than sanguine views of post-9/11 political life and culture.
Her other works include short stories (collected in Debriefing, 2017) and such novels as The Benefactor (1963), Death Kit (1967), and the best-selling historical fictions The Volcano Lover (1992) and In America (2000). Sontag also wrote and directed four motion pictures, including the chamber drama Duet for Cannibals (1969) and the documentary Promised Lands (1974), directed theatrical productions, and was the author of a play, Alice in Bed (1992).
See journals and notebooks ed. by D. Rieff, her son (2 vol., 2008–); L. Poague, ed., Conversations with Susan Sontag (1995), and J. Cott, Susan Sontag: The Complete Rolling Stone Interview (2013); memoirs by D. Rieff (2008) and S. Nunez (2011); biography by C. E. Rollyson and L. Paddock (2000), B. Moser, Sontag: Her Life and Work (2019); studies by S. Sayres (1990), L. Kennedy (1995), C. E. Rollyson (2001), C. Seligman (2004), B. Ching and J. A. Wagner-Lawlor, ed. (2009), and P. Lopate (2009).
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