In 1905 he established the famous gallery
291 at 291 Fifth Ave., New York City, for the exhibition of photography as a fine art. Soon the gallery broadened its scope to include the works of the modern French art movement and introduced to the United States the work of Cézanne, Picasso, Braque, Brancusi, and many others. It also made known the work of such American artists as John Marin, Charles Demuth, Max Weber, and Georgia O'Keeffe whom Stieglitz married in 1924.
From 1917 to 1925 Stieglitz produced his major works: the extraordinary portraits of O'Keeffe, studies of New York, and the great cloud series through which he developed his concept of photographic
equivalents. This concept greatly influenced photographic aesthetics. He then opened the Intimate Gallery (1925–30) and An American Place (1930–46), which continued the work of
291. Through his own superb photographic work and his generous championship of others, he promoted the symbolic and spiritually significant in American art, as opposed to the merely technically proficient.
See S. Greenough, ed., My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz (2011); W. Frank et al., America and Alfred Stieglitz (1934); biographies by D. Bry (1965), D. Norman (1973), S. D. Lowe (1983), R. Whelan (1995), and K. Hoffman (2 vol., 2004–11); W. I. Homer, Alfred Stieglitz and the Photo-Secession (1983); S. Greenough, Alfred Stieglitz: The Key Set (2002); C. Burke, Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salisbury (2019).
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