By the beginning of the 21st cent. Mamet was widely regarded as one of the finest American writers for stage and screen. Some of his later plays, such as The Cryptogram (1995) and The Old Neighborhood (1997), have explored difficult semiautobiographical material. Mamet ventured into satire with November (2008), about contemporary presidential politics, and he explored the nature of guilt and shame as they relate to racial, sexual, and legal issues in Race (2009). Throughout his career, Mamet has treated the themes of belonging, the vagaries of authority, the pivotal role played by loyalty, and the importance of speaking the truth. In addition to more than 20 plays and some two dozen screenplays, he has written novels, e.g., The Village (1994) and Chicago (2018), several collections of essays (including the autobiographical Jafsie and John Henry, 1999, and Bambi vs. Godzilla, 2007, on the film industry), a book on acting (1997), The Wicked Son: Anti-Semitism, Self-Hatred, and the Jews (2006), and The Secret Knowledge (2011), an explanation of his conversion to conservative politics.
See biography by I. Nadel (2008); L. Kane, ed., David Mamet in Conversation (2001); studies by D. Carroll (1987), A. Dean (1990), N. Jones and S. Dykes (1991), L. Kane, ed. (1992) and as author (1999, 2004), G. Brewer (1993), C. C. Hudgins and L. Kane, ed. (2001), D. K. and J. A. Sauer (2003), H. Bloom, ed. (2004), and B. Barton (2005): C. Bigsby, ed., The Cambridge Companion to David Mamet (2004).
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