The 1967 Academy Awards were presented April 10, 1968 at the Santa Monica Civic Auditorium.
| Best Picture | Bonnie and Clyde, Warren Beatty, producer (Warner Bros.-Seven Arts) |
| Doctor Dolittle, Arthur P. Jacobs, producer (Twentieth Century-Fox) |
| The Graduate, Lawrence Turman, producer (Embassy Pictures) |
| Guess Who's Coming to Dinner?, Stanley Kramer, producer (Columbia) |
| In the Heat of the Night, Walter Mirisch, producer (United Artists) |
| Best Actor | Warren Beatty, Bonnie and Clyde |
| Dustin Hoffman, The Graduate |
| Paul Newman, Cool Hand Luke |
| Rod Steiger, In the Heat of the Night |
| Spencer Tracy, Guess Who's Coming to Dinner? |
| Best Actress | Anne Bancroft, The Graduate |
| Faye Dunaway, Bonnie and Clyde |
| Dame Edith Evans, The Whisperers |
| Audrey Hepburn, Wait Until Dark |
| Katharine Hepburn, Guess Who's Coming to Dinner? |
| Actor in a Supporting Role | John Cassavetes, The Dirty Dozen |
| Gene Hackman, Bonnie and Clyde |
| Cecil Kellaway, Guess Who's Coming to Dinner? |
| George Kennedy, Cool Hand Luke |
| Michael J. Pollard, Bonnie and Clyde |
| Actress in a Supporting Role | Carol Channing, Thoroughly Modern Millie |
| Mildred Natwick, Barefoot in the Park |
| Estelle Parsons, Bonnie and Clyde |
| Beah Richards, Guess Who's Coming to Dinner? |
| Katharine Ross, The Graduate |
| Directing | Richard Brooks, In Cold Blood |
| Norman Jewison, In the Heat of the Night |
| Stanley Kramer, Guess Who's Coming to Dinner? |
| Mike Nichols, The Graduate |
| Arthur Penn, Bonnie and Clyde |
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 Mike Nichols Archive Photos |
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| Writing | | Screenplay Based on Material From Another Medium | Richard Brooks, In Cold Blood | | Donn Pearce and Frank R. Pierson, Cool Hand Luke | | Stirling Silliphant, In the Heat of the Night | | Joseph Strick and Fred Haines, Ulysses | | Calder Willingham and Buck Henry, The Graduate | | Story and Screenplay Written Directly for the Screen | Robert Kaufman, story; Norman Lear, screenplay, Divorce American Style | | David Newman and Robert Benton, Bonnie and Clyde | | Frederic Raphael, Two for the Road | | William Rose, Guess Who's Coming to Dinner? | | Jorge Semprun, La Guerre Est Finie |
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| Cinematography | Burnett Guffey, Bonnie and Clyde |
| Conrad Hall, In Cold Blood |
| Richard H. Kline, Camelot |
| Robert Surtees, Doctor Dolittle |
| Robert Surtees, The Graduate |
| Art Direction | Mario Chiari, Jack Martin Smith and Ed Graves, art direction; Walter M. Scott and Stuart A. Reiss, set decoration, Doctor Dolittle |
| Robert Clatworthy, art direction; Frank Tuttle, set decoration, Guess Who's Coming to Dinner? |
| Alexander Golitzen and George C. Webb, art direction; Howard Bristol, set decoration, Thoroughly Modern Millie |
| Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani, art direction; Dario Simoni and Luigi Gervasi, set decoration, The Taming of the Shrew |
| John Truscott and Edward Carrere, art direction; John W. Brown, set decoration, Camelot |
| Sound | MGM Studio Sound Dept., The Dirty Dozen |
| Samuel Goldwyn Studio Sound Dept., In the Heat of the Night |
| Twentieth Century-Fox Studio Sound Dept., Doctor Dolittle |
| Universal City Studio Sound Dept., Thoroughly Modern Millie |
| Warner Bros.-Seven Arts Studio Sound Dept., Camelot |
| Music | | Song | “The Bare Necessities,” The Jungle Book, Terry Gilkyson, music and lyrics | | “The Eyes of Love,” Banning, Quincy Jones, music; Bob Russell, lyrics | | “The Look of Love,” Casino Royale, Burt Bacharach, music; Hal David, lyrics | | “Talk to the Animals,” Doctor Dolittle, Leslie Bricusse, music and lyrics | | “Thoroughly Modern Millie,” Thoroughly Modern Millie, James Van Heusen and Sammy Cahn, music and lyrics | | Original Music Score | Richard Rodney Bennett, Far From the Madding Crowd | | Elmer Bernstein, Thoroughly Modern Millie | | Leslie Bricusse, Doctor Dolittle | | Quincy Jones, In Cold Blood | | Lalo Schifrin, Cool Hand Luke | | Scoring of Music, Adaptation or Treatment | DeVol, Guess Who's Coming to Dinner? | | Alfred Newman and Ken Darby, Camelot | | Lionel Newman and Alexander Courage, Doctor Dolittle | | André Previn and Joseph Gershenson, Thoroughly Modern Millie | | John Williams, Valley of the Dolls |
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| Film Editing | Hal Ashby, In the Heat of the Night |
| Samuel E. Beetley and Marjorie Fowler, Doctor Dolittle |
| Robert C. Jones, Guess Who's Coming to Dinner? |
| Frank P. Keller, Beach Red |
| Michael Luciano, The Dirty Dozen |
| Costume Design | Jean Louis, Thoroughly Modern Millie |
| Irene Sharaff and Danilo Donati, The Taming of the Shrew |
| Bill Thomas, The Happiest Millionaire |
| John Truscott, Camelot |
| Theadora Van Runkle, Bonnie and Clyde |
| Special Visual Effects | L. B. Abbott, Doctor Dolittle |
| Howard A. Anderson, Jr. and Albert Whitlock, Tobruk |
| Sound Effects | John Poyner, The Dirty Dozen |
| James A. Richard, In the Heat of the Night |
| Short Subjects | | Cartoon | The Box (Murakami-Wolf Films; Brandon Films) | | Hypothese Beta (Films Orzeaux; Pathé Contemporary Films) | | What on Earth! (National Film Board of Canada; Columbia) | | Live Action | Paddle to the Sea (National Film Board of Canada; Favorite Films of California) | | A Place to Stand (T.D.F. Production for the Ontario Department of Economics and Development; Columbia) | | Sky Over Holland (John Ferno Production for the Netherlands; Warner Bros.-Seven Arts) | | Stop, Look and Listen (Len Janson and Chuck Menville, producers; MGM) |
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| Documentary | | Short Subject | Monument to the Dream (Charles E. Guggenheim, producer; Guggenheim Productions) | | A Place to Stand (T.D.F. Production for the Ontario Department of Economics and Development; Columbia) | | The Redwoods (Mark Harris and Trevor Greenwood, producers; King Screen Productions) | | See You at the Pillar (Robert Fitchett, producer; Associated British-Pathé Production) | | While I Run This Race (Carl V. Ragsdale, producer; Sun Dial Films for VISTA) | | Feature | The Anderson Platoon (French Broadcasting System) | | Festival (Patchke Productions) | | Harvest (U.S. Information Agency) | | A King's Story (Jack Le Vien Production) | | A Time for Burning (Quest Productions for Lutheran Film Associates) |
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| Foreign Language Film | Closely Watched Trains, Czechoslovakia |
| El Amor Brujo, Spain |
| I Even Met Happy Gypsies, Yugoslavia |
| Live for Life, France |
| Portrait of Chieko, Japan |
| Irving G. Thalberg Memorial Award | Alfred Hitchcock |
| Jean Hersholt Humanitarian Award | Gregory Peck |
| Honorary Award | To Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts |
