Renaissance and Later Tragedy
Roman works are significant not for their intrinsic grandeur but for their usefulness as models for such Renaissance dramas as Christopher Marlowe's Tamburlaine (1587) and Thomas Kyd's The Spanish Tragedy (1594), often cited as the first revenge tragedy. These in turn served as models for the towering tragedies of the period, Marlowe's Dr. Faustus (1588); Shakespeare's Othello, Macbeth, Hamlet, and King Lear (1600–1607); and John Webster's Duchess of Malfi (1614). The tradition of the tragic hero was to continue for the next 300 years, reinforced not only by English dramatists but by such European playwrights as the Spaniards Lope de Vega and Calderón de la Barca; the Frenchmen Pierre Corneille and Jean Racine; and the Germans G. E. Lessing, Goethe, and Schiller.
Sections in this article:
- Ancient Tragedies
- Renaissance and Later Tragedy
- Moral, Domestic, and Political Tragedy
- Twentieth-Century Tragedy
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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