Kazan's outstanding stage productions included The Skin of Our Teeth (1942), All My Sons (1947), A Streetcar Named Desire (1947; film version, 1951), Death of a Salesman (1949), and Tea and Sympathy (1953). He was the most important director to bring the realistic, emotionally charged approach and
method acting style of the mid-20th-century New York theater into American moviemaking. Kazan won best-director Oscars for Gentlemen's Agreement (1947) and On the Waterfront (1954) and an honorary life's achievement Academy Award in 1999. Among his other major films are A Tree Grows in Brooklyn (1945), Viva Zapata (1952), East of Eden (1955), A Face in the Crowd (1957), and Splendor in the Grass (1961). He also directed the films America, America (1963) and The Arrangement (1969), adapted from his own 1962 and 1967 novels, parts of a fictional series that also includes The Anatolian (1982) and Beyond the Aegean (1994).
See his autobiography (1988); Kazan on Directing (2009); A. J. and M. J. Devlin, ed., The Selected Letters of Elia Kazan (2014); M. Ciment, Kazan on Kazan (1974), J. Young, ed., Kazan: The Master Director Discusses His Films (1999); biography by R. Schickel (2005); M. Scorsese, dir., A Letter to Elia (documentary film, 2010).
The Columbia Electronic Encyclopedia, 6th ed. Copyright 2012, Columbia University Press. All rights reserved.
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