lost generationfor those post–World War I expatriates. During World War II she remained in France, and after the war her Paris home became a meeting place for American soldiers.
Stein's own innovative writing emphasizes the sounds and rhythms rather than the sense of words. By departing from conventional meaning, grammar, and syntax, she attempted to capture
moments of consciousness, independent of time and memory. Her first published work was Three Lives (completed 1905, pub. 1909), short stories in which she explored the mental processes of three women, but her most characteristic and probably most difficult narrative is the lengthy, dark, dense, and repetitive The Making of Americans (completed 1911, pub. 1925). The famous Autobiography of Alice B. Toklas (1933), a linear narrative written in relatively ordinary language, is the story of her own life presented as that of her companion. Stein's critical essays were published as Composition as Explanation (1926), How to Write (1931), Narration (1935), and Lectures in America (1935). Her many other works include the volume of poetry Tender Buttons (1914), a series of
cubist verbal portraits; two librettos for the operas of Virgil Thomson, Four Saints in Three Acts (1934) and The Mother of Us All (1947); Wars I Have Seen (1945), some personal observations; and Brewsie and Willie (1946), about American soldiers in France.
See biographies by J. M. Brinnin (1959, repr. 1987) and J. Hobhouse (1975); D. Souhami, Gertrude and Alice (1992); B. Kellner, ed., A Gertrude Stein Companion (1988); A. B. Toklas, What Is Remembered (1963, repr. 1985); J. R. Mellow, Charmed Circle: Gertrude Stein & Company (1974, repr. 1991); L. Simon, ed., Gertrude Stein Remembered (1994); B. Wineapple, Sister Brother: Gertrude and Leo Stein (1996); J. Malcolm, Two Lives: Gertrude and Alice (2007); studies by R. Dubnick (1984), J. L. Walker (1984), and U. E. Dydo (2003); bibliography by R. A. Wilson and A. Uphill (1999).
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