1995 Grammy Awards
Updated September 9, 2022 |
Infoplease Staff
| Record of the Year | “Kiss From a Rose,” Seal | |
| Jagged Little Pill, Alanis Morissette (Maverick/Reprise) | |
| Song of the Year | “Kiss From a Rose,” Seal, songwriter | |
| Best New Artist | Hootie and the Blowfish | |
| Best Pop Vocal Performance, Male | “Kiss From a Rose,” Seal | |
| Best Pop Vocal Performance, Female | “No More `I Love You's,” Annie Lennox | |
| Best Pop Performance By a Duo or Group With Vocal | “Let Her Cry,” Hootie and the Blowfish | |
| Best Traditional Pop Vocal Performance | “Duets II,” Frank Sinatra | |
| Best Pop Instrumental Performance | “Mariachi Suite,” Los Lobos | |
| Best Pop Vocal Collaboration | “Have I Told You Lately That I Love You?,” The Chieftains with Van Morrison | |
| Best Pop Album | Turbulent Indigo, Joni Mitchell (Reprise) | |
| Best Rock Album | Jagged Little Pill, Alanis Morissette (Maverick/Reprise) | |
| Best Rock Gospel Album | Lesson of Love, Ashley Cleveland (Reunion) | |
| Best Rock Song | “You Oughta Know,” Glen Ballard and Alanis Morissette, songwriters | |
| Best Rock Vocal Performance, Male | “You Don't Know How It Feels,” Tom Petty | |
| Best Rock Vocal Performance, Female | “You Oughta Know,” Alanis Morissette | |
| Best Rock Performance By a Duo or Group With Vocal | “Run-Around,” Blues Traveler | |
| Best Rock Instrumental Performance | “Jessica,” The Allman Brothers Band | |
| Best Hard Rock Performance | “Spin the Black Circle,” Pearl Jam | |
| Best Metal Performance | “Happiness Is Slavery,” Nine Inch Nails | |
| Best Alternative Music Performance | MTV Unplugged in New York, Nirvana (DGC) | |
| Best Rhythm and Blues Album | CrazySexyCool, TLC (LaFace Records) | |
| Best Rhythm and Blues Song | “For Your Love,” Stevie Wonder, songwriter | |
| Best Rhythm and Blues Vocal Performance, Male | “For Your Love,” Stevie Wonder | |
| Best Rhythm and Blues Vocal Performance, Female | “I Apologize,” Anita Baker | |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal | “Creep,” TLC | |
| Best Rap Album | Poverty's Paradise, Naughty by Nature (Tommy Boy) | |
| Best Rap Solo Performance | “Gangsta's Paradise,” Coolio | |
| Best Rap Performance By a Duo or Group | “I'll Be There for You”/“You're All I Need to Get By,” Method Man/Mary J. Blige | |
| Best Jazz Vocal Performance | “An Evening With Lena Horne,” Lena Horne | |
| Best Jazz Instrumental Solo | “Impressions,” Michael Brecker | |
| Best Jazz Instrumental Performance, Individual or Group | “Infinity,” McCoy Tyner Trio featuring Michael Brecker | |
| Best Contemporary Jazz Performance | “We Live Here,” Pat Metheny Group | |
| Best Large Jazz Ensemble Performance | “All Blues,” GRP All-Star Big Band and Tom Scott | |
| Best Latin Jazz Performance | “Antônio Brasileiro,” Antônio Carlos Jobim | |
| Best Country Album | The Woman in Me, Shania Twain (Mercury Nashville) | |
| Best Country Song | “Go Rest High on That Mountain,” Vince Gill, songwriter | |
| Best Country Vocal Performance, Male | “Go Rest High on That Mountain,” Vince Gill | |
| Best Country Vocal Performance, Female | “Baby, Now That I've Found You,” Alison Krauss | |
| Best Country Performance By a Duo or Group With Vocal | “Here Comes the Rain,” The Mavericks | |
| Best Country Vocal Collaboration | “Somewhere in the Vicinity of the Heart,” Shenandoah with Alison Krauss | |
| Best Country Instrumental Performance | “Hightower,” Asleep at the Wheel featuring Bela Fleck and Johnny Gimble | |
| Best Bluegrass Album | Unleashed, The Nashville Bluegrass Band (Sugar Hill) | |
| Best Traditional Soul Gospel Album | Shirley Caesar Live…He Will Come, Shirley Caesar (Word) | |
| Best Contemporary Soul Gospel Album | Alone in His Presence, CeCe Winans (Sparrow Communications Group) | |
| Best Pop/Contemporary Gospel Album | I'll Lead You Home, Michael W. Smith (Reunion) | |
| Best Rock Gospel Album | Lesson of Love, Ashley Cleveland (Reunion) | |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album | Amazing Grace—A Country Salute to Gospel, various artists (Sparrow Communications Group) | |
| Best Gospel Album By a Choir or Chorus | Praise Him…Live!, The Brooklyn Tabernacle Choir (Warner Alliance) | |
| Best Latin Pop Performance | “Amor,” Jon Secada | |
| Best Tropical Latin Performance | “Abriendo Puertas,” Gloria Estefan | |
| Best Mexican-American Performance | “Flaco Jimenez,” Flaco Jimenez | |
| Best Traditional Blues Album | Chill Out, John Lee Hooker (Point-Blank) | |
| Best Contemporary Blues Album | Slippin' In, Buddy Guy (Silvertone) | |
| Best Traditional Folk Album | South Coast, Ramblin' Jack Elliott (Red House) | |
| Best Contemporary Folk Album | Wrecking Ball, Emmylou Harris (Asylum/Elektra) | |
| Best Reggae Album | Boombastic, Shaggy (Virgin) | |
| Best New Age Album | Forest, George Winston | |
| Best World Music Album | Bohème, Deep Forest (Windham Hill) | |
| Best Polka Album | I Love to Polka, Jimmy Sturr (Rounder) | |
| Best Instrumental Arrangement | “Lament,” Robert Farnon, arranger | |
| Best Instrumental Arrangement With Accompanying Vocal(s) | “I Get a Kick out of You,” Rob McConnell, arranger | |
| Best Instrumental Composition | “A View From the Side,” Bill Holman | |
| Best Musical Show Album | Smokey Joe's Cafe—The Songs of Leiber and Stoller, Jerry Leiber, lyricist; Mike Stoller, composer (Atlantic Theater) | |
| Best Instrumental Composition Written for a Motion Picture or for Television | “Crimson Tide,” Hans Zimmer, composer | |
| Best Song Written Specifically for a Motion Picture or for Television | “Colors of the Wind” (From Pocahontas), Alan Menken and Stephen Schwartz, songwriters | |
| Best Classical Contemporary Composition | “Messiaen: Concert a Quatre,” Olivier Messiaen, composer | |
| Best Classical Album | Debussy: La Mer; Nocturnes; Jeux, etc. Pierre Boulez conducting the Cleveland Orchestra (Deutsche Grammophon) | |
| Best Chamber Music Performance | Brahms/Beethoven/Mozart: Clarinet Trios, Emanuel Ax, piano; Yo-Yo Ma, cello; Richard Stoltzman, clarinet | |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | The American Album (Works of Bernstein, Barber, Foss), Itzhak Perlman, violin (EMI Classics) | |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) | Schubert: Piano Sonatas (B-Flat Major and A Major), Radu Lupu, piano (London Records) | |
| Best Orchestral Performance | Debussy: La Mer, Nocturnes; Jeux, etc., Pierre Boulez conducting the Cleveland Orchestra (Deutsche Grammophon) | |
| Best Opera Recording | Berlioz: Les Troyens, Charles Dutoit conducting the Orchestre Symphonie de Montreal | |
| Best Performance of a Choral Work | Brahms: Ein Deutsches Requiem, Herbert Blomstedt conducting San Francisco Symphony, San Francisco Symphony Chorus and various artists | |
| Best Classical Vocal Performance | The Echoing Air—The Music of Henry Purcell (If Music Be the Food of Love; Sweeter Than Roses, etc.), Sylvia McNair, soprano | |
| Best Spoken Comedy Album | Crank Calls, Jonathan Winters (Audio Select) | |
| Best Spoken Word or Non-Musical Album | Phenomenal Woman, Maya Angelou (Random House Audio Books) | |
| Best Musical Album for Children | Sleepy Time Lullabys, Barbara Bailey Hutchison (Jaba) | |
| Best Spoken Word Album for Children | Prokofiev: Peter and the Wolf, Patrick Stewart (Erato) | |
| Best Recording Package | Turbulent Indigo, Robbie Cavolina and Joni Mitchell, art directors (Reprise) | |
| Best Recording Package—Boxed | Civilization Phaze III, Frank Zappa and Gail Zappa, art directors (Barking Pumpkin) | |
| Best Album Notes | The Complete Stax/Volt Soul Singles, Volume 3: 1972–1975, Rob Bowman, album notes writer (Stax) | |
| Best Historical Album | The Heifitz Collection (RCA Victor Gold Seal) | |
| Best Music Video, Short Form | “Scream,” Michael Jackson and Janet Jackson | |
| Best Music Video, Long Form | “Secret World Live,” Peter Gabriel | |
| Best Engineered Album (Non-Classical) | Wildflowers, Dave Bianco, Richard Dodd, Stephen McLaughlin and Jim Scott, engineers (Warner Bros.) | |
| Best Classical Engineered Recording | Bartók: Concerto for Orchestra/Kossuth: Symphonic Poem, Michael Mailes and Jonathan Stokes, engineers (London Records) | |
| Producer of the Year (Non-Classical) | Babyface | |
| Classical Producer of the Year | Steven Epstein |
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