Perhaps in his next book,
Harry Potter will decide to become a rock star.
It's the sort of awakening the music industry could use right now—a new phenomenon that could trigger a rush of buying among a frenzied public. The Beatles and Elvis wrapped into one.
Frank Sinatra meets
Michael Jackson and
Kurt Cobain. Somewhere out there, there's got to be a new sensation, and despite all those millions of albums sold, it still doesn't sound like
*N Sync.
Music didn't have anything like its own version of
Harry Potter and the Sorcerer's Stone in 2001. If there was a trend at all, it was the return of rock and a shift to dark, anguished, hard rock. The turning point came in May when
Staind, a raging Western Massachusetts band fronted by
High Times poster child Aaron Lewis, sold 716,000 copies of its album
Break The Cycle the first week after it was released.
It wasn't the only hard-rock band that made the most of 2001. System of a Down, Linkin Park, Limp Bizkit, Creed, Tool, Slipknot, and Nickelback all scored big at the cash registers and on the road, but none of that was enough to lift the industry out of a year of stagnation. Instead of concentrating on new acts, labels often seemed distracted, mostly by their obsession with digital copying of CDs and Internet trading.
Napster was forced to take thousands of titles off its website, but countless other web-based music services were popping up in Napster's place, on a daily basis.
Just how distracted was the industry? When all was said in done,
Billboard reported that its No. 1 album of 2001 in terms of sales was the
Beatles hits collection
1. That sure says a whole lot about a band that's been out of business for 30 years, but it doesn't say much about the state of music at the moment.
Fortunately, there were some positive developments amid the malaise, and there were highlights and lowlights galore in 2001. Here's a sampling:
Information Please® Database, © 2007 Pearson Education, Inc. All rights reserved.