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1993 Academy Awards The 1993 Academy Awards were presented March 21, 1994 at the Dorothy Chandler Pavilion, Los Angeles. | Picture | The Fugitive, Arnold Kopelson, producer (Warner Bros.) | | In the Name of the Father, Jim Sheridan, producer (Universal) | | The Piano, Jan Chapman, producer (Miramax) | | The Remains of the Day, Mike Nichols, John Calley and Ismail Merchant, producers (Columbia) | | Schindler's List, Steven Spielberg, Gerald R. Molen and Branko Lustig, producers (Universal) | | Actor in a Leading Role | Daniel Day-Lewis, In the Name of the Father | | Laurence Fishburne, What's Love Got to Do With It | | Tom Hanks, Philadelphia | | Anthony Hopkins, The Remains of the Day | | Liam Neeson, Schindler's List | | Actress in a Leading Role | Angela Bassett, What's Love Got to Do With It | | Stockard Channing, Six Degrees of Separation | | Holly Hunter, The Piano | | Emma Thompson, The Remains of the Day | | Debra Winger, Shadowlands | |
 Holly Hunter and Anna Paquin, The Piano Archive Photos |
| | Actor in a Supporting Role | Leonardo DiCaprio, What's Eating Gilbert Grape | | Ralph Fiennes, Schindler's List | | Tommy Lee Jones, The Fugitive | | John Malkovich, In the Line of Fire | | Pete Postlethwaite, In the Name of the Father | | Actress in a Supporting Role | Holly Hunter, The Firm | | Anna Paquin, The Piano | | Rosie Perez, Fearless | | Winona Ryder, The Age of Innocence | | Emma Thompson, In the Name of the Father | | Directing | Robert Altman, Short Cuts | | Jane Campion, The Piano | | James Ivory, The Remains of the Day | | Jim Sheridan, In the Name of the Father | | Steven Spielberg, Schindler's List | | Writing | | Sreenplay Written Directly for the Screen | Jane Campion, The Piano | | Nora Ephron, David S. Ward and Jeff Arch, screenplay; Jeff Arch, story, Sleepless in Seattle | | Jeff Maguire, In the Line of Fire | | Ron Nyswaner, Philadelphia | | Gary Ross, Dave | | Screenplay Based on Material Previously Produced or Published | Jay Cocks and Martin Scorsese, The Age of Innocence | | Terry George and Jim Sheridan, In the Name of the Father | | Ruth Prawer Jhabvala, The Remains of the Day | | William Nicholson, Shadowlands | | Steven Zaillian, Schindler's List |
| | Cinematography | Gu Changwei, Farewell My Concubine | | Michael Chapman, The Fugitive | | Stuart Dryburgh, The Piano | | Conrad L. Hall, Searching for Bobby Fischer | | Janusz Kaminski, Schindler's List | | Art Direction | Ken Adam, art direction; Marvin March, set decoration, Addams Family Values | | Luciana Arrighi, art direction; lan Whittaker, set decoration, The Remains of the Day | | Dante Ferretti, art direction; Robert J. Franco, set decoration, The Age of Innocence | | Allan Starski, art direction; Ewa Braun, set decoration, Schindler's List | | Ben Van Os and Jan Roelfs, art direction, Orlando | | Sound | Chris Carpenter, D. M. Hemphill, Bill W. Benton and Lee Orloff, Geronimo: An American Legend | | Michael Minkler, Bob Beemer and Tim Cooney, Cliffhanger | | Donald O. Mitchell, Michael Herbick, Frank A. Montaño and Scott D. Smith, The Fugitive | | Andy Nelson, Steve Pederson, Scott Millan and Ron Judkins, Schindler's List | | Gary Summers, Gary Rydstrom, Shawn Murphy and Ron Judkins, Jurassic Park | | Music | | Song | “Again,” Poetic Justice, Janet Jackson, James Harris III and Terry Lewis, music and lyrics | | “The Day I Fall in Love,” Beethoven's 2nd, Carole Bayer Sager, James Ingram and Clif Magness, music and lyrics | | “Philadelphia,” Philadelphia, Neil Young, music and lyrics | | “Streets of Philadelphia,” Philadelphia, Bruce Springsteen, music and lyrics | | “A Wink and a Smile,” Sleepless in Seattle, Marc Shaiman, music; Ramsey McLean, lyrics | | Original Score | Elmer Bernstein, The Age of Innocence | | Dave Grusin, The Firm | | James Newton Howard, The Fugitive | | Richard Robbins, The Remains of the Day | | John Williams, Schindler's List |
| | Film Editing | Anne V. Coates, In the Line of Fire | | Gerry Hambling, In the Name of the Father | | Veronika Jenet, The Piano | | Michael Kahn, Schindler's List | | Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu, Richard Nord and Dov Hoenig, The Fugitive | | Costume Design | Jenny Beavan and John Bright, The Remains of the Day | | Anna Biedrzycka-Sheppard, Schindler's List | | Janet Patterson, The Piano | | Gabriella Pescucci, The Age of Innocence | | Sandy Powell, Orlando | | Makeup | Greg Cannom, Ve Neill and Yolanda Toussieng, Mrs. Doubtfire | | Carl Fullerton and Alan D'Angerio, Philadelphia | | Christina Smith, Matthew Mungle and Judy Alexander Cory, Schindler's List | | Visual Effects | Pete Kozachik, Eric Leighton, Ariel Velasco Shaw and Gordon Baker, The Nightmare Before Christmas | | Neil Krepela, John Richardson, John Bruno and Pamela Easley, Cliffhanger | | Dennis Muren, Stan Winston, Phil Tippett and Michael Lantieri, Jurassic Park | | Sound Effects Editing | John Leveque and Bruce Stambler, The Fugitive | | Gary Rydstrom and Richard Hymns, Jurassic Park | | Wylie Stateman and Gregg Baxter, Cliffhanger | | Short Films | | Animation | Blindscape (Stephen Palmer, producer; National Film and Television School) | | The Mighty River (Frédéric Back and Hubert Tison, producers; Canadian Broadcasting Corporation/Société Radio-Canada Production) | | Small Talk (Bob Godfrey and Kevin Baldwin, producers; Bob Godfrey Films, Ltd.) | | The Village (Mark Baker, producer; Pizazz Pictures Production) | | The Wrong Trousers (Nick Park, producer; Aardman Animations Limited Production) | | Live Action | Black Rider (Schwarzfahrer) (Pepe Danquart, producer; Trans-Film GmbH Production) | | Down on the Waterfront (Stacy Title and Jonathan Penner, producers; Stacy Title/Jonathan Penner Production) | | The Dutch Master (Susan Seidelman and Jonathan Brett, producers; Regina Ziegler Film Production) | | Partners (Peter Weller and Jana Sue Memel, producers; Chanticleer Films) | | The Screw (La Vis) (Didier Flamand, producer; Perla Films Production) |
| | Documentary | | Short Subject | Blood Ties: The Life and Work of Sally Mann (Steven Cantor and Peter Spirer, producers; Moving Target Production) | | Chicks in White Satin (Elaine Holliman and Jason Schneider, producers; University of Southern California School of Cinema/Television) | | Defending Our Lives (Margaret Lazarus and Renner Wunderlich, producers; Cambridge Documentary Films Production) | | Feature | The Broadcast Tapes of Dr. Peter (David Paperny and Arthur Ginsberg, producers; Canadian Broadcasting Corporation/HBO Films Production) | | Children of Fate (Susan Todd and Andrew Young, producers; Young/Friedson Production) | | For Better or for Worse (David Collier and Betsy Thompson, producers; David Collier Production) | | I Am a Promise: The Children of Stanton Elementary School (Susan Raymond and Alan Raymond, Verité Films Production) | | The War Room (D. A. Pennebaker and Chris Hegedus, producers; R. J. Cutler/Wendy Ettinger/Frazer Pennebaker Production) |
| | Foreign Language Film | Belle Époque, Spain | | Farewell My Concubine, Hong Kong | | Hedd Wyn, United Kingdom | | The Scent of Green Papaya, Vietnam | | The Wedding Banquet, Republic of China on Taiwan | | Jean Hersholt Humanitarian Award | Paul Newman | | Honorary Awards | To Deborah Kerr in appreciation for a full career's worth of elegant and beautifully crafted performances |
Information Please® Database, © 2007 Pearson Education, Inc. All rights reserved. More on 1993 Academy Awards from Infoplease:
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