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1971 Academy Awards The 1971 Academy Awards were presented April 10, 1972 at the Dorothy Chandler Pavilion, Los Angeles. | Best Picture | A Clockwork Orange, Stanley Kubrick, producer (Warner Bros.) | | Fiddler on the Roof, Norman Jewison, producer (United Artists) | | The French Connection, Philip D'Antoni, producer (Twentieth Century-Fox) | | The Last Picture Show, Stephen J. Friedman, producer (Columbia) | | Nicholas and Alexandra, Sam Spiegel, producer (Columbia) | | Best Actor | Peter Finch, Sunday Bloody Sunday | | Gene Hackman, The French Connection | | Walter Matthau, Kotch | | George C. Scott, The Hospital | | Topol, Fiddler on the Roof | |
 Gene Hackman, The French Connection Archive Photos |
| | Best Actress | Julie Christie, McCabe & Mrs. Miller | | Jane Fonda, Klute | | Glenda Jackson, Sunday Bloody Sunday | | Vanessa Redgrave, Mary, Queen of Scots | | Janet Suzman, Nicholas and Alexandra | | Actor in a Supporting Role | Jeff Bridges, The Last Picture Show | | Leonard Frey, Fiddler on the Roof | | Richard Jaeckel, Sometimes a Great Notion | | Ben Johnson, The Last Picture Show | | Roy Scheider, The French Connection | | Actress in a Supporting Role | Ellen Burstyn, The Last Picture Show | | Barbara Harris, Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? | | Cloris Leachman, The Last Picture Show | | Margaret Leighton, The Go-Between | | Ann-Margret, Carnal Knowledge | | Directing | Peter Bogdanovich, The Last Picture Show | | William Friedkin, The French Connection | | Norman Jewison, Fiddler on the Roof | | Stanley Kubrick, A Clockwork Orange | | John Schlesinger, Sunday Bloody Sunday | | Writing | | Screenplay Based on Material From Another Medium | Bernardo Bertolucci, The Conformist | | Stanley Kubrick, A Clockwork Orange | | Larry McMurtry and Peter Bogdanovich, The Last Picture Show | | Ugo Pirro and Vittorio Bonicelli, The Garden of the Finzi-Continis | | Ernest Tidyman, The French Connection | | Original Screenplay | Paddy Chayefsky, The Hospital | | Penelope Gilliatt, Sunday Bloody Sunday | | Andy Lewis and Dave Lewis, Klute | | Elio Petri and Ugo Pirro, Investigation of a Citizen Above Suspicion | | Herman Raucher, Summer of '42 |
| | Cinematography | Oswald Morris, Fiddler on the Roof | | Owen Roizman, The French Connection | | Robert Surtees, The Last Picture Show | | Robert Surtees, Summer of '42 | | Freddie Young, Nicholas and Alexandra | | Art Direction | John Box, Ernest Archer, Jack Maxsted and Gil Parrondo, art direction; Vernon Dixon, set decoration, Nicholas and Alexandra | | Robert Boyle and Michael Stringer, art direction; Peter Lamont, set decoration, Fiddler on the Roof | | Boris Leven and William Tuntke, art direction; Ruby Levitt, set decoration, The Andromeda Strain | | John B. Mansbridge and Peter Ellenshaw, art direction; Emile Kuri and Hal Gausman, set decoration, Bedknobs and Broomsticks | | Terence Marsh and Robert Cartwright, art direction; Peter Howitt, set decoration, Mary, Queen of Scots | | Sound | Bob Jones and John Aldred, Mary, Queen of Scots | | Gordon K. McCallum and David Hildyard, Fiddler on the Roof | | Gordon K. McCallum, John Mitchell and Alfred J. Overton, Diamonds Are Forever | | Richard Portman and Jack Solomon, Kotch | | Theodore Soderberg and Christopher Newman, The French Connection | | Music | | Song | “The Age of Not Believing,” Bedknobs and Broomsticks, Richard M. Sherman and Robert B. Sherman, music and lyrics | | “All His Children,” Sometimes a Great Notion, Henry Mancini, music; Alan and Marilyn Bergman, lyrics | | “Bless the Beasts and Children,” Bless the Beasts and Children, Barry DeVorzon and Perry Botkin, Jr., music and lyrics | | “Life Is What You Make It,” Kotch, Marvin Hamlisch, music; Johnny Mercer, lyrics | | “Theme From Shaft,” Shaft, Isaac Hayes, music and lyrics | | Original Dramatic Score | John Barry, Mary, Queen of Scots | | Richard Rodney Bennett, Nicholas and Alexandra | | Jerry Fielding, Straw Dogs | | Isaac Hayes, Shaft | | Michel Legrand, Summer of '42 | | Scoring: Adaptation and Original Song Score | Leslie Bricusse and Anthony Newley, song; Walter Scharf, adaptation, Willy Wonka and the Chocolate Factory | | Peter Maxwell Davies and Peter Greenwell, The Boy Friend | | Richard M. Sherman and Robert B. Sherman, song; Irwin Kostal, adaptation, Bedknobs and Broomsticks | | Dimitri Tiomkin, Tchaikovsky | | John Williams, Fiddler on the Roof |
| | Film Editing | Folmar Blangsted, Summer of '42 | | Bill Butler, A Clockwork Orange | | Stuart Gilmore and John W. Holmes, The Andromeda Strain | | Jerry Greenberg, The French Connection | | Ralph E. Winters, Kotch | | Costume Design | Yvonne Blake and Antonio Castillo, Nicholas and Alexandra | | Margaret Furse, Mary, Queen of Scots | | Morton Haack, What's the Matter With Helen? | | Bill Thomas, Bedknobs and Broomsticks | | Piero Tosi, Death in Venice | | Special Visual Effects | Jim Danforth and Roger Dicken, When Dinosaurs Ruled the Earth | | Alan Maley, Eustace Lycett and Danny Lee, Bedknobs and Broomsticks | | Short Subjects | | Animated | The Crunch Bird (Maxwell-Petok-Petrovich Productions; Regency Film Distributing Corp.) | | Evolution (National Film Board of Canada; Columbia) | | The Selfish Giant (Potterton Productions; Pyramid Films) | | Live Action | Good Morning (E/G Films; Seymour Borde and Associates) | | The Rehearsal (Cinema Verona Production; Schoenfeld Film Distributing Corp.) | | Sentinels of Silence (Producciones Concord; Paramount) |
| | Documentary | | Short Subject | Adventures in Perception (Hans van Gelder Filmproduktie; Netherlands Information Service) | | Art Is… (Henry Strauss Associates; Sears, Roebuck Foundation) | | The Numbers Start With the River (WH Picture; U.S. Information Agency) | | Sentinels of Silence (Producciones Concord; Paramount) | | Somebody Waiting (Snider Productions; University of California Medical Film Library) | | Feature | Alaska Wilderness Lake (Alan Landsburg, producer; Alan Landsburg Productions) | | The Hellstrom Chronicle (David L. Wolper Productions; Cinema 5, Ltd.) | | On Any Sunday (Bruce Brown-Solar; Cinema 5, Ltd.) | | The RA Expeditions (Swedish Broadcasting Company; Interwest Film Corp.) | | The Sorrow and the Pity (Television Rencontre-Norddeutscher Rundfunk-Television Swiss Romande; Cinema 5, Ltd.) |
| | Foreign Language Film | Dodes'Ka-Den, Japan | | The Emigrants, Sweden | | The Garden of the Finzi-Continis, Italy | | The Policeman, Israel | | Tchaikovsky, U.S.S.R. | | Honorary Award | To Charles Chaplin for the incalculable effect he has had in making motion pictures the art form of this century |
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