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1963 Academy Awards The 1963 Academy Awards were presented April 13, 1964 at the Santa Monica Civic Auditorium. | Best Picture | America, America, Elia Kazan, producer (Warner Bros.) | | Cleopatra, Walter Wanger, producer (Twentieth Century-Fox) | | How the West Was Won, Bernard Smith, producer (MGM) | | Lilies of the Field, Ralph Nelson, producer (United Artists) | | Tom Jones, Tony Richardson, producer (United Artists-Lopert Pictures) | | Best Actor | Albert Finney, Tom Jones | | Richard Harris, This Sporting Life | | Rex Harrison, Cleopatra | | Paul Newman, Hud | | Sidney Poitier, Lilies of the Field | |
 Sidney Poitier, Lilies of the Field Archive Photos |
| | Best Actress | Leslie Caron, The L-Shaped Room | | Shirley MacLaine, Irma La Douce | | Patricia Neal, Hud | | Rachel Roberts, This Sporting Life | | Natalie Wood, Love With the Proper Stranger | | Actor in a Supporting Role | Nick Adams, Twilight of Honor | | Bobby Darin, Captain Newman, M.D. | | Melvyn Douglas, Hud | | Hugh Griffith, Tom Jones | | John Huston, The Cardinal | | Actress in a Supporting Role | Diane Cilento, Tom Jones | | Dame Edith Evans, Tom Jones | | Joyce Redman, Tom Jones | | Margaret Rutherford, The V.I.P.s | | Lilia Skala, Lilies of the Field | | Directing | Federico Fellini, Federico Fellini's 81/2 | | Elia Kazan, America, America | | Otto Preminger, The Cardinal | | Tony Richardson, Tom Jones | | Martin Ritt, Hud | | Writing | | Screenplay Based on Material From Another Medium | Serge Bourguigon and Antoine Tudal, Sundays and Cybèle | | Richard Breen, Phoebe Ephron and Henry Ephron, Captain Newman, M.D. | | John Osborne, Tom Jones | | James Poe, Lilies of the Field | | Irving Ravetch and Harriet Frank, Jr., Hud | | Story and Screenplay Written Directly for the Screen | Carlo Bernari, screenplay, The Four Days of Naples | | Pasquale Festa Campanile, Massimo Franciosa, Vasco Pratolini and Nanni Loy, story; Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy and James R. Webb, How the West Was Won | | Federico Fellini, Ennio Flaiano, Tullio Pinelli and Brunello Rondi, Federico Fellini's 81/2 | | Elia Kazan, America, America | | Arnold Schulman, Love With the Proper Stranger |
| | Cinematography | | Black-and-White | Lucien Ballard, The Caretakers | | George Folsey, The Balcony | | Ernest Haller, Lilies of the Field | | James Wong Howe, Hud | | Milton Krasner, Love With the Proper Stranger | | Color | William H. Daniels, Milton Krasner, Charles Lang, Jr. and Joseph LaShelle, How the West Was Won | | Joseph LaShelle, Irma La Douce | | Ernest Laszlo, It's a Mad, Mad, Mad, Mad World | | Leon Shamroy, The Cardinal | | Leon Shamroy, Cleopatra |
| | Art Direction | | Black-and-White | Gene Callahan, art direction, America, America | | George W. Davis and Paul Groesse, art direction; Henry Grace and Hugh Hunt, set decoration, Twilight of Honor | | Piero Gherardi, art direction, Federico Fellini's 81/2 | | Hal Pereira and Tambi Larsen, art direction; Sam Comer and Robert Benton, set decoration, Hud | | Hal Pereira and Roland Anderson, art direction; Sam Comer and Grace Gregory, set decoration, Love With the Proper Stranger | | Color | Ralph Brinton, Ted Marshall and Jocelyn Herbert, art direction; Josie MacAvin, set decoration, Tom Jones | | George W. Davis, William Ferrari and Addison Hehr, art direction; Henry Grace, Don Greenwood, Jr. and Jack Mills, set decoration, How the West Was Won | | John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling and Boris Juraga, art direction; Walter M. Scott, Paul S. Fox and Ray Moyer, set decoration, Cleopatra | | Hal Pereira and Roland Anderson, art direction; Sam Comer and James Payne, set decoration, Come Blow Your Horn | | Lyle Wheeler, art direction; Gene Callahan, set decoration, The Cardinal |
| | Sound | Columbia Studio Sound Dept., Bye Bye Birdie | | MGM Studio Sound Dept., How the West Was Won | | Samuel Goldwyn Studio Sound Dept., It's a Mad, Mad, Mad, Mad World | | Twentieth Century-Fox Studio Sound Dept. and Todd-AO Sound Dept., Cleopatra | | Universal City Studio Sound Dept., Captain Newman, M.D. | | Music | | Song | “Call Me Irresponsible,” Papa's Delicate Condition, James Van Heusen, music; Sammy Cahn, lyrics | | “Charade,” Charade, Henry Mancini, music; Johnny Mercer, lyrics | | “It's a Mad, Mad, Mad, Mad World,” It's a Mad, Mad, Mad, Mad World, Ernest Gold, music; Mack David, lyrics | | “More,” Mondo Cane, Riz Ortolani and Nino Oliviero, music; Norman Newell, lyrics | | “So Little Time,” 55 Days at Peking, Dimitri Tiomkin, music; Paul Francis Webster, lyrics | | Musical Score, Substantially Original | John Addison, Tom Jones | | Ernest Gold, It's a Mad, Mad, Mad, Mad World | | Alfred Newman and Ken Darby, How the West Was Won | | Alex North, Cleopatra | | Dimitri Tiomkin, 55 Days at Peking | | Scoring of Music, Adaptation or Treatment | George Bruns, The Sword in the Stone | | John Green, Bye Bye Birdie | | Maurice Jarre, Sundays and Cybèle | | André Previn, Irma La Douce | | Leith Stevens, A New Kind of Love |
| | Film Editing | Frederic Knudtson, Robert C. Jones and Gene Fowler, Jr., It's a Mad, Mad, Mad, Mad World | | Harold F. Kress, How the West Was Won | | Louis R. Loeffler, The Cardinal | | Dorothy Spencer, Cleopatra | | Ferris Webster, The Great Escape | | Costume Design | | Black-and-White | Piero Gherardi, Federico Fellini's 81/2 | | Edith Head, Love With the Proper Stranger | | Edith Head, Wives and Lovers | | Bill Thomas, Toys in the Attic | | Travilla, The Stripper | | Color | Donald Brooks, The Cardinal | | Edith Head, A New Kind of Love | | Walter Plunkett, How the West Was Won | | Irene Sharaff, Vittorio Nino Novarese and Renie, Cleopatra | | Piero Tosi, The Leopard |
| | Special Effects | Ub Iwerks, The Birds | | Emil Kosa, Jr., Cleopatra | | Sound Effects | (Not necessarily given each year) | | Robert L. Bratton, A Gathering of Eagles | | Walter G. Elliott, It's a Mad, Mad, Mad, Mad World | | Short Subjects | | Cartoon | Automania 2000 (Halas and Batchelor Production; Pathé Contemporary Films) | | The Critic (Pintoff-Crossbow Productions; Columbia) | | The Game (Igra) (Zagreb Film; Rembrandt Films-Film Representations) | | My Financial Career (National Film Board of Canada; Walter Reade-Sterling-Continental Distributing) | | Pianissimo (Carmen D'Avino Production; Cinema 16) | | Live Action | The Concert (James A. King Corp.; George K. Arthur-Go Pictures) | | Home-Made Car, BP (North American) Ltd.; Lester A. Schoenfeld Films) | | An Occurrence at Owl Creek Bridge (Films du Centaure-Filmartic; Cappagariff-Janus Films) | | Six-Sided Triangle (Milesian Film Production, Ltd.; Lion International Films) | | That's Me (Stuart Productions; Pathé Contemporary Films) |
| | Documentary | | Short Subject | Chagall (Auerbach Film Enterprises, Ltd.-Flag Films; Union Films) | | The Five Cities of June (George Stevens, Jr., producer; U.S. Information Agency) | | The Spirit of America (Algernon G. Walker, producer; Spotlight News, Inc.) | | Thirty Million Letters (Edgar Anstey, producer; British Transport Films) | | To Live Again (Wilding, Inc.; St. Barnabas Hospital, Bronx, N.Y.) | | Feature | Robert Frost: A Lover's Quarrel With the World (WGBH Educational Foundation; Holt, Reinhart and Winston, Inc.) | | Le Maillon et la Chaine (The Link and the Chain) (Paul de Roubaix, producer; Films Du Centaure-Filmartic) | | Terminus (Edgar Anstey, producer; British Transport Films) | | The Yanks Are Coming (Marshall Flaum, producer; David L. Wolper Productions) |
| | Foreign Language Film | Federico Fellini's 81/2, Italy | | Knife in the Water, Poland | | Los Tarantos, Spain | | The Red Lanterns, Greece | | Twin Sisters of Kyoto, Japan | | Irving G. Thalberg Memorial Award | Sam Spiegel |
Information Please® Database, © 2007 Pearson Education, Inc. All rights reserved. More on 1963 Academy Awards from Infoplease:
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- Sidney Poitier - Poitier, Sidney Poitier, Sidney, 1927–, American actor, b. Miami, raised in the Bahamas, ...
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