1939–, American sculptor, b. San Francisco; grad. Univ. of California, Santa Barbara (B.A., 1961), Yale (B.F.A., M.F.A., 1974). Many of his early works (1960s) are cast in rubber or lead. Later, using metals, concrete, fiberglass, and other materials, he created large-scale abstract sculptures that were usually intended for specific outdoor sites. His Tilted Arc
(1981) achieved notoriety when nearby office workers demanded its removal from a site in lower Manhattan. Perceived as menacing, the elegant 120-ft (37-m) curving sheet of rusting steel was dismantled in 1989. In the ensuing years Serra's huge, curved, torqued, space-enclosing, and space-defining steel sculptures, best experienced not by simply looking at them, but by wandering through and around them, have become extremely popular and are widely regarded as among the most significant abstract sculptures of the late 20th and early 21st cent. These sculptures are divided into two main types: forged pieces of enormous density and lighter plate-steel pieces. More than 100 of his commissioned sculptures have been placed in cities throughout the world. His works are included in many major museum collections; an eight-part, more than 430-ft-long (131-m) assemblage of his massive, rust-patinated steel sculpture was permanently installed (2005) at the Guggenheim's Bilbao branch. Equal
(2015), consisting of eight 40-ton forged-steel blocks, is installed in its own gallery at New York's Museum of Modern Art.
See Richard Serra: Writings/Interviews (1994); C. Weyergraf-Serra and M. Buskirk, ed., The Destruction of Tilted Arc: Documents (1991); K. McShine et al., Richard Serra Sculpture: Forty Years (2007); studies by R. Krauss (1986) and H. Foster, ed. (2000).
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