The Birth of Impressionism
The movement began with the friendship of four students of the academic painter Marc Gleyre: Monet, Renoir, Sisley, and Bazille. These four met regularly at the Café Guerbois in Paris with Cézanne, Pissarro, and Morisot, and later with Degas, Manet, the critics Duret and Rivière, and the art dealer Durand-Ruel. The painters repudiated academic standards and reacted against the romantics' emphasis on emotion as subject matter. They forsook literary and anecdotal subjects and, indeed, rejected the role of imagination in the creation of works of art. Instead they observed nature closely, with a scientific interest in visual phenomena. Although they painted everyday subjects, they avoided the vulgar and ugly, seeking visual realism by extraordinary stylistic means.
Sections in this article:
- The Birth of Impressionism
- Impressionists and Postimpressionists
- The Legacy of Impressionism
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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