Renoir, Pierre Auguste
tight,in which his forms were closely defined in outline (e.g., The Bathers, 1884–87; private coll.), his style of the 1890s changed, diffusing both light and outline, and with dazzling, opalescent colors describing voluptuous nudes, radiant children, and lush summer landscapes. From 1903, Renoir fought the encroaching paralysis of arthritis at the same time that his work attained its greatest sensual power and monumentality. Despite illness and personal tragedy he began to produce major works of sculpture (e.g., Victorious Venus, Renoir Mus., Cagnes-sur-Mer). Among his most celebrated paintings are: Luncheon of the Boating Party (1881; Phillips Coll., Washington, D.C.); Dance at Bougival (1883; Mus. of Fine Arts, Boston); Lady Sewing (Art Inst., Chicago); and Bather (1917–18; Philadelphia Mus. of Art). Renoir's work is represented in most of the important galleries in the world. The Art Institute of Chicago; the Barnes Collection, Merion, Pa.; Clark Institute, Williamstown, Mass.; and the Louvre have large collections. His son, the film director Jean Renoir, wrote a biography (tr. 1962).
See biography by B. E. White (2017); studies by W. Gaunt (1983), D. Rouart (1985), A. Distel (1995), and B. E. White (2010).
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