Cite2001 Grammy Awards
Updated February 11, 2017 | Infoplease Staff![]( "Updated by an Infoplease Editor on February 11, 2017")
The 44th Annual Grammy Awards were presented at Los Angeles' Staples Center on February 27, 2002.
| Record: | “Walk On,” U2 |
| Album: | O Brother, Where Art Thou? Soundtrack, Various Artists (Lost Highway Records) |
| Song: | “Fallin',” Alicia Keys, songwriter (Alicia Keys) |
| New Artist: | Alicia Keys |
| Female Pop Vocal: | “I'm Like a Bird,” Nelly Furtado |
| Male Pop Vocal: | “Don't Let Me Be Lonely Tonight,” James Taylor |
| Pop Duo or Group with Vocals: | “Stuck in a Moment You Can't Get Out Of,” U2 |
| Pop Collaboration with Vocals: | “Lady Marmalade,” Christina Aguilera, Lil' Kim, Mya, & Pink |
| Pop Instrumental: | “Reptile,” Eric Clapton |
| Dance Recording: | “All for You,” Janet Jackson |
| Pop Instrumental Album: | No Substitutions—Live in Osaka, Larry Carlton and Steve Lukather (Favored Nations) |
| Pop Vocal Album: | Lovers Rock, Sade (Epic Records) |
| Traditional Pop Vocal Album: | Songs I Heard, Harry Connick, Jr. (Columbia/Sony Records) |
| Female Rock Vocal: | “Get Right with God,” Lucinda Williams |
| Male Rock Vocal: | “Dig In,” Lenny Kravitz |
| Rock Duo or Group with Vocals: | “Elevation,” U2 |
| Hard Rock: | “ Crawling,” Linkin Park |
| Metal: | “Schism,” Tool |
| Rock Instrumental: | “Dirty Mind,” Jeff Beck |
| Rock Song: | “Drops of Jupiter,” Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford, and Scott Underwood, songwriters (Train) |
| Rock Album: | All That You Can't Leave Behind, U2 (Interscope Records) |
| Alternative Music Album: | Parachutes, Coldplay (Capitol Records) |
| Female R&B Vocal: | “Fallin',” Alicia Keys |
| Male R&B Vocal: | “U Remind Me, ” Usher |
| R&B Duo or Group with Vocals: | “Survivor,” Destiny's Child |
| R&B Song: | “Fallin',” Alicia Keys, songwriter (Alicia Keys) |
| R&B Album: | Songs in A Minor, Alicia Keys (J Records) |
| Traditional R&B Vocal Album: | At Last, Gladys Knight (MCA Records) |
| Rap Solo: | “Get Ur Freak On,” Missy “Misdemeanor” Elliott |
| Rap Duo or Group: | “Ms. Jackson,” Outkast |
| Rap Sung/Collaboration: | “Let Me Blow Ya Mind,” Eve featuring Gwen Stefani |
| Rap Album: | Stankonia, Outkast (LaFace Records) |
| Female Country Vocal: | “Shine,” Dolly Parton |
| Male Country Vocal: | “O Death,” Ralph Stanley |
| Country Duo or Group with Vocals: | “The Lucky One,” Alison Krauss + Union Station |
| Country Collaboration with Vocals: | “I Am a Man of Constant Sorrow,” Dan Tyminski, Harley Allen, and Pat Enright (The Soggy Bottom Boys) |
| Country Instrumental: | “Foggy Mountain Breakdown,” Earl Scruggs, Glen Duncan, Randy Scruggs, Steve Martin, Vince Gill, Marty Stuart, Gary Scruggs, Albert Lee, Paul Shaffer, Jerry Douglas, and Leon Russell |
| Country Song: | “The Lucky One,” Robert Lee Castleman, songwriter (Alison Krauss + Union Station) |
| Country Album: | Timeless—Hank Williams Tribute, Various Artists (Lost Highway Records) |
| Bluegrass Album: | New Favorite, Alison Krauss + Union Station (Rounder Records) |
| New Age Album: | A Day Without Rain, Enya (Reprise Records) |
| Contemporary Jazz Album: | M2, Marcus Miller (Telarc) |
| Jazz Vocal Album: | The Calling, Dianne Reeves (Blue Note Records) |
| Jazz Instrumental, Solo: | “Chan's Song,” Michael Brecker, soloist |
| Jazz Instrumental, Individual or Group: | This Is What I Do, Sonny Rollins (Milestone Records) |
| Large Jazz Ensemble Album: | Homage to Count Basie, Bob Mintzer Big Band (Digital Music Products) |
| Latin Jazz Album: | Nocturne, Charlie Haden (Verve Records) |
| Rock Gospel Album: | Solo, DC Talk (ForeFront Records) |
| Pop/Contemporary Gospel Album: | CeCe Winans, CeCe Winans (Wellspring Gospel) |
| Southern, Country, or Bluegrass Gospel Album: | Bill & Gloria Gaither Present A Billy Graham Music Homecoming, Bill & Gloria Gaither and the Homecoming Friends (Spring House Music) |
| Traditional Soul Gospel Album: | Spirit of the Century, The Blind Boys of Alabama (Real World) |
| Contemporary Soul Gospel Album: | The Experience, Yolanda Adams (Elektra Entertainment Group) |
| Gospel Album by a Choir or Chorus: | Love Is Live!, Hezekiah Walker, choir director; LFT Church Choir (Verity Records) |
| Latin Pop Album: | La Musica de Baldemar Huerta, Freddy Fender (Studio M, Inc., Back Porch, Narada) |
| Latin Rock/Alternative Album: | Embrace the Chaos, Ozomatli (Interscope Records) |
| Tropical Latin Album: | Dejame Entrar, Carlos Vives (EMI Latin) |
| Salsa Album: | Encore, Robert Blades (Lideres Records) |
| Merengue Album: | Yo Por Tí, Olga Tañón (WEA Latina Records) |
| Mexican/Mexican-American Album: | En Vivo...El Hombre y Su Musica, Ramón Ayala y Sus Bravos Del Norte (Freddie Records) |
| Tejano Album: | Nadie Como Tu, Solido (Freddie Records) |
| Traditional Blues Album: | Do You Get the Blues?, Jimmie Vaughan (Artemis Records) |
| Contemporary Blues Album: | Nothing Personal, Delbert McClinton (New West Records) |
| Traditional Folk Album: | Down from the Mountain, Various Artists (Lost Highway Records) |
| Contemporary Folk Album: | Love and Theft, Bob Dylan (Columbia Records) |
| Native American Music Album: | Bless the People—Harmonized Peyote Songs, Verdell Primeaux, and Johnny Mike (Canyon Records) |
| Reggae Album: | Halfway Tree, Damian Marley (Artist Only! Records) |
| World Music Album: | Full Circle/Carnegie Hall 2000, Ravi Shankar (Ghetto Youth/Motown Records) |
| Polka Album: | Gone Polka, Jimmy Sturr (Rounder Records) |
| Musical Album for Children: | Elmo and the Orchestra, Sesame Street Characters (Sony Wonder) |
| Spoken Word Album for Children: | Mama Don't Allow, Tom Chapin (Live Oak Media) |
| Spoken Word Album: | Q: The Autobiography of Quincy Jones, Quincy Jones (Simon and Schuster Audio) |
| Spoken Comedy Album: | Napalm & Sillyputty, George Carlin (HighBridge Audio) |
| Musical Show Album: | The Producers (Sony Classical) |
| Best Compilation Soundtrack Album for a Motion Picture, Television, or Other Visual Media: | O Brother, Where Art Thou?, Various Artists (Lost Highway Records) |
| Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media: | Crouching Tiger, Hidden Dragon, Tan Dun, composer |
| Song Written for a Motion Picture, Television, or Other Visual Media: | “Boss of Me ” (from Malcolm In the Middle), John Flansburgh and John Linnell, songwriters (They Might Be Giants) |
| Instrumental Composition: | “End Credits ” from Cast Away, Alan Silvestri, composer |
| Instrumental Arrangement: | “Doctor Gradus Ad Parnassum,” Béla Fleck and Edgar Meyer, arrangers |
| Instrumental Arrangement with Accompanying Vocals: | “Drops of Jupiter,” Paul Buckmaster, arranger |
| Best Recording Package: | Amnesiac (Special Limited Edition), Stanley Donwood and Tchocky, art directors (Capitol Records) |
| Best Boxed Recording Package: | Brain in a Box—The Science Fiction Collection, Hugh Brown and Steve Vance, art directors (Rhino Entertainment) |
| Best Album Notes (tie): | Richard Pryor...And It's Deep Too! The Complete Warner Bros. Recordings (1968–1992), Walter Mosley, album notes writer |
| Arhoolie Records 40th Anniversary Collection: 1960–2000 The Journey of Chris Strachwitz, Elijah Wald, album notes writer | |
| Historical Album: | Lady Day: The Complete Billie Holiday on Columbia 1933–1944 (Columbia/Legacy Recordings) |
| Best Engineered Album, Non-Classical: | The Look of Love, Al Schmitt, engineer (Diana Krall) (Verve Records) |
| Producer, Non-Classical: | T Bone Burnett |
| Best Remixed Recording, Non-Classical: | “Thank You,” Deep Dish, remixer |
| Best-Engineered Album, Classical: | Bernstein (Arr. Brohn & Corigliano): West Side Story Suite (Lonely Town; Make Our Garden Grow, Etc.), Richard King, engineer |
| Classical Producer: | Manfred Eicher |
| Classical Album: | Berlioz: Les Troyens, Various Artists; London Sym. Orch. (LSO Live) |
| Orchestral Performance: | Boulez Conducts Varèse (Amériques; Arcana; Déserts; Ionisation), Pierre Boulez (Chicago Sym. Orch.) (Deutsche Grammophon) |
| Opera Recording: | Berlioz: Les Troyens, Sir Colin Davis, conductor (Erato) |
| Choral Performance: | Bach: St. Matthew Passion, Nikolaus Harnoncourt, conductor (Arnold Schoenberg Chor & Wiener Sängerknaben; Concentus Musicus Wien) |
| Instrumental Soloist with Orchestra: | Strauss Wind Concertos (Horn Concerto; Oboe Concerto, Etc.), Daniel Barenboim, piano/conductor; Dale Clevenger, horn; Larry Combs, clarinet; Alex Klein, oboe; David McGill, bassoon |
| Instrumental Soloist Without Orchestra: | Britten Cello Suites (1–3), Truls Mork, cello |
| Chamber Music: | Haydn: The Complete String Quartets, The Angeles String Quartet |
| Small Ensemble Performance (with or Without Conductor): | After Mozart (Raskatov, Silvestrov, Schnittke, Etc.), Kremerata Baltica |
| Classical Vocal: | Dreams & Fables—Gluck Italian Arias (Tremo Fra' Dubbi Miei; Di Questa Cetra In Seno, Etc.), Cecilia Bartoli, mezzo soprano |
| Classical Contemporary Composition: | Rouse: Concert De Gaudí for Guitar and Orch., Christopher Rouse, composer |
| Classical Crossover Album: | Perpetual Motion (Scarlatti, Bach, Debussy, Chopin, Etc.), Béla Fleck, banjo (Joshua Bell, violin; Evelyn Glennie, marimba; Gary Hoffman, cello; Edgar Meyer, bass and piano; Chris Thile, mandolin; John Williams, guitar) |
| Music Video, Short Form: | “Weapon of Choice,” (Fatboy Slim Featuring Bootsy Collins), Spike Jonze, video director |
| Music Video, Long Form: | Recording the Producers—A Musical Romp with Mel Brooks (Mel Brooks), Susan Froemke, video director |
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