Percy Bysshe Shelley: Charles I Scene 1
Scene 1: The Masque of the Inns of Court
Place, for the Marshal of the Masque!
What thinkest thou of this quaint masque which turns,
Like morning from the shadow of the night,
The night to day, and London to a place
Of peace and joy?
And Hell to Heaven.
Eight years are gone,
And they seem hours, since in this populous street
I trod on grass made green by summer's rain,
For the red plague kept state within that palace
Where now that vanity reigns. In nine years more
The roots will be refreshed with civil blood;
And thank the mercy of insulted Heaven
That sin and wrongs wound, as an orphan's cry,
The patience of the great Avenger's ear.
Yet, father, 'tis a happy sight to see,
Beautiful, innocent, and unforbidden
By God or man;—'tis like the bright procession
Of skiey visions in a solemn dream
From which men wake as from a Paradise,
And draw new strength to tread the thorns of life.
If God be good, wherefore should this be evil?
And if this be not evil, dost thou not draw
Unseasonable poison from the flowers
Which bloom so rarely in this barren world?
Oh, kill these bitter thoughts which make the present
Dark as the future!—
And open-eyed Conspiracy lie sleeping
As on Hell's threshold; and all gentle thoughts
Waken to worship Him who giveth joys
With His own gift.
How young art thou in this old age of time!
How green in this gray world? Canst thou discern
The signs of seasons, yet perceive no hint
Of change in that stage-scene in which thou art
Not a spectator but an actor? or
Art thou a puppet moved by [enginery]?
The day that dawns in fire will die in storms,
Even though the noon be calm. My travel's done,—
Before the whirlwind wakes I shall have found
My inn of lasting rest; but thou must still
Be journeying on in this inclement air.
Wrap thy old cloak about thy back;
Nor leave the broad and plain and beaten road,
Although no flowers smile on the trodden dust,
For the violet paths of pleasure. This Charles the First
Rose like the equinoctial sun,...
By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noon—from which he must decline
Amid the darkness of conflicting storms,
To dank extinction and to latest night...
The apostate Strafford; he whose titles
From Machiavel and Bacon: and, if Judas
Had been as brazen and as bold as he—
Is the Archbishop.
Rather say the Pope:
London will be soon his Rome: he walks
As if he trod upon the heads of men:
He looks elate, drunken with blood and gold;—
Beside him moves the Babylonian woman
Invisibly, and with her as with his shadow,
Mitred adulterer! he is joined in sin,
Which turns Heaven's milk of mercy to revenge.
Good Lord! rain it down upon him!...
Amid her ladies walks the papist queen,
As if her nice feet scorned our English earth.
The Canaanitish Jezebel! I would be
A dog if I might tear her with my teeth!
There's old Sir Henry Vane, the Earl of Pembroke,
Lord Essex, and Lord Keeper Coventry,
And others who make base their English breed
By vile participation of their honours
With papists, atheists, tyrants, and apostates.
When lawyers masque 'tis time for honest men
To strip the vizor from their purposes.
A seasonable time for masquers this!
When Englishmen and Protestants should sit
dust on their dishonoured heads
To avert the wrath of Him whose scourge is felt
For the great sins which have drawn down from Heaven
and foreign overthrow.
The remnant of the martyred saints in Rochefort
Have been abandoned by their faithless allies
To that idolatrous and adulterous torturer
Lewis of France,—the Palatinate is lost—
[ENTER LEIGHTON (WHO HAS BEEN BRANDED IN THE FACE) AND BASTWICK.]
Canst thou be—art thou?
I WAS Leighton: what
I AM thou seest. And yet turn thine eyes,
And with thy memory look on thy friend's mind,
Which is unchanged, and where is written deep
The sentence of my judge.
Are these the marks with which
Laud thinks to improve the image of his Maker
Stamped on the face of man? Curses upon him,
The impious tyrant!
It is said besides
That lewd and papist drunkards may profane
The Sabbath with their
And has permitted that most heathenish custom
Of dancing round a pole dressed up with wreaths
A man who thus twice crucifies his God
May well ... his brother.—In my mind, friend,
The root of all this ill is prelacy.
I would cut up the root.
And by what means?
Smiting each Bishop under the fifth rib.
You seem to know the vulnerable place
Of these same crocodiles.
I learnt it in
Egyptian bondage, sir. Your worm of Nile
Betrays not with its flattering tears like they;
For, when they cannot kill, they whine and weep.
Nor is it half so greedy of men's bodies
As they of soul and all; nor does it wallow
In slime as they in simony and lies
And close lusts of the flesh.
Give place, give place!
You torch-bearers, advance to the great gate,
And then attend the Marshal of the Masque
Into the Royal presence.
What thinkest thou
Of this quaint show of ours, my aged friend?
Even now we see the redness of the torches
Inflame the night to the eastward, and the clarions
[Gasp?] to us on the wind's wave. It comes!
And their sounds, floating hither round the pageant,
Rouse up the astonished air.
I will not think but that our country's wounds
May yet be healed. The king is just and gracious,
Though wicked counsels now pervert his will:
These once cast off—
As adders cast their skins
And keep their venom, so kings often change;
Councils and counsellors hang on one another,
Hiding the loathsome
Like the base patchwork of a leper's rags.
Oh, still those dissonant thoughts!—List how the music
Grows on the enchanted air! And see, the torches
Restlessly flashing, and the crowd divided
Like waves before an admiral's prow!
To the Marshal of the Masque!
Room for the King!
How glorious! See those thronging chariots
Rolling, like painted clouds before the wind,
Behind their solemn steeds: how some are shaped
Like curved sea-shells dyed by the azure depths
Of Indian seas; some like the new-born moon;
And some like cars in which the Romans climbed
(Canopied by Victory's eagle-wings outspread)
The Capitolian—See how gloriously
The mettled horses in the torchlight stir
Their gallant riders, while they check their pride,
Like shapes of some diviner element
Than English air, and beings nobler than
The envious and admiring multitude.
Ay, there they are—
Nobles, and sons of nobles, patentees,
Monopolists, and stewards of this poor farm,
On whose lean sheep sit the prophetic crows,
Here is the pomp that strips the houseless orphan,
Here is the pride that breaks the desolate heart.
These are the lilies glorious as Solomon,
Who toil not, neither do they spin,—unless
It be the webs they catch poor rogues withal.
Here is the surfeit which to them who earn
The niggard wages of the earth, scarce leaves
The tithe that will support them till they crawl
Back to her cold hard bosom. Here is health
Followed by grim disease, glory by shame,
Waste by lame famine, wealth by squalid want,
And England's sin by England's punishment.
And, as the effect pursues the cause foregone,
Lo, giving substance to my words, behold
At once the sign and the thing signified—
A troop of cripples, beggars, and lean outcasts,
Horsed upon stumbling jades, carted with dung,
Dragged for a day from cellars and low cabins
And rotten hiding-holes, to point the moral
Of this presentment, and bring up the rear
Of painted pomp with misery!
The anti-masque, and serves as discords do
In sweetest music. Who would love May flowers
If they succeeded not to Winter's flaw;
Or day unchanged by night; or joy itself
Without the touch of sorrow?
I and thou-
Place, give place!
now that vanity reigns 1870; now reigns vanity 1824.
Canst...enginery 1870; Canst thou not think Of change in that low scene, in which thou art Not a spectator but an actor?... 1824.
Wrap...bold as he 1870; omitted 1824.
make 1824; made 1839.
bondage cj. Forman; bondages 1870.
A seasonable...of the flesh 1870; omitted 1824.
Even now...air 1870; omitted 1824.
how the 1870; loud 1824.
A Pursuivant: Room for the King! 1870; omitted 1824.
Rolling like painted clouds before the wind
Like curved shells, dyed by the azure depths 1824.
her 1870; its 1824.
jades 1870; shapes 1824.
presentment 1870; presentiment 1824.
I...place! 1870; omitted 1824.