by Percy Bysshe Shelley
Scene 2.1:
SCENE 2.3:

SCENE 2.2:




 SEMICHORUS 1 OF SPIRITS: The path through which that lovely twain Have passed, by cedar, pine, and yew, And each dark tree that ever grew, Is curtained out from Heaven's wide blue; Nor sun, nor moon, nor wind, nor rain, Can pierce its interwoven bowers, Nor aught, save where some cloud of dew, Drifted along the earth-creeping breeze, Between the trunks of the hoar trees, Hangs each a pearl in the pale flowers Of the green laurel, blown anew, And bends, and then fades silently, One frail and fair anemone: Or when some star of many a one That climbs and wanders through steep night, Has found the cleft through which alone Beams fall from high those depths upon Ere it is borne away, away, By the swift Heavens that cannot stay, It scatters drops of golden light, Like lines of rain that ne'er unite: And the gloom divine is all around, And underneath is the mossy ground. 
 SEMICHORUS 2: There the voluptuous nightingales, Are awake through all the broad noonday. When one with bliss or sadness fails, And through the windless ivy-boughs, Sick with sweet love, droops dying away On its mate's music-panting bosom; Another from the swinging blossom, Watching to catch the languid close Of the last strain, then lifts on high The wings of the weak melody, Till some new strain of feeling bear The song, and all the woods are mute; When there is heard through the dim air The rush of wings, and rising there Like many a lake-surrounded flute,[1] Sounds overflow the listener's brain So sweet, that joy is almost pain. 
 SEMICHORUS 1: There those enchanted eddies play Of echoes, music-tongued, which draw, By Demogorgon's mighty law, With melting rapture, or sweet awe, All spirits on that secret way; As inland boats are driven to Ocean Down streams made strong with mountain-thaw: And first there comes a gentle sound To those in talk or slumber bound, And wakes the destined soft emotion,-[2] Attracts, impels them; those who saw Say from the breathing earth behind There steams a plume-uplifting wind Which drives them on their path, while they Believe their own swift wings and feet The sweet desires within obey: And so they float upon their way, Until, still sweet, but loud and strong, The storm of sound is driven along, Sucked up and hurrying: as they fleet Behind, its gathering billows meet And to the fatal mountain bear Like clouds amid the yielding air. 
 FIRST FAUN: Canst thou imagine where those spirits live Which make such delicate music in the woods? We haunt within the least frequented caves And closest coverts, and we know these wilds, Yet never meet them, though we hear them oft: Where may they hide themselves? 
 SECOND FAUN: 'Tis hard to tell; I have heard those more skilled in spirits say, The bubbles, which the enchantment of the sun Sucks from the pale faint water-flowers that pave The oozy bottom of clear lakes and pools, Are the pavilions where such dwell and float Under the green and golden atmosphere Which noontide kindles through the woven leaves; And when these burst, and the thin fiery air, The which they breathed within those lucent domes, Ascends to flow like meteors through the night, They ride on them, and rein their headlong speed, And bow their burning crests, and glide in fire Under the waters of the earth again. 
 FIRST FAUN: If such live thus, have others other lives, Under pink blossoms or within the bells Of meadow flowers, or folded violets deep, Or on their dying odours, when they die,[3] Or in the sunlight of the sphered dew? 
 SECOND FAUN: Ay, many more which we may well divine. But should we stay to speak, noontide would come, And thwart Silenus find his goats undrawn, And grudge to sing those wise and lovely songs Of Fate, and Chance, and God, and Chaos old, And Love, and the chained Titan's woful doom,[4] And how he shall be loosed, and make the earth One brotherhood: delightful strains which cheer Our solitary twilights, and which charm To silence the unenvying nightingales. 

"surrounded" [B, edition 1839]; "surrounding" [1820].


"destined" → "destinied" [1820].


"on" [1820]; "in" [B].


"doom" [B, edition 1839]; "dooms" [1820].