| Best New American Plays (Tie) | Donald Margulies, Sight Unseen |
| Robbie McCauley, Sally's Rape |
| Paula Vogel, The Baltimore Waltz |
| Playwriting | Neal Bell, sustained excellence |
| Romulus Linney, sustained excellence |
| Direction | Anne Bogart, The Baltimore Waltz |
| Mark Wing-Davy, Mad Forest |
| Performances | Dennis Boutsikaris, Sight Unseen |
| Larry Bryggman, sustained excellence of performance |
| Randy Danson, sustained excellence of performance |
| Laura Esterman, Marvin's Room |
| Ofelia Gonzales, sustained excellence of performance |
| Deborah Hedwall, Sight Unseen |
| Cherry Jones, The Baltimore Waltz |
| Nathan Lane, sustained excellence of performance |
| James McDaniel, Before It Hits Home |
| S. Epatha Merkerson, I'm Not Stupid |
| Roger Rees, The End of the Day |
| Lynne Thigpen, Boesman and Lena |
| Design | John Arnone, sustained excellence of set design |
| Marina Dragnici, sets and costumes, Mad Forest |
| Sustained Achievement | Athol Fugard |
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