| Best New American Plays | Richard Foreman, The Cure and Film Is Evil, Radio Is Good |
| Direction | Garland Wright, On the Verge |
| Performances | Robin Bartlett, The Early Girl |
| Rob Besserer, The Hunger Artist |
| Morgan Freeman, Driving Miss Daisy |
| Laura Hicks, On the Verge |
| Anthony Holland, The Hunger Artist |
| Dana Ivey, Driving Miss Daisy |
| John Kelly, Pass the Blutwurst and Bitte (The Egon Schiele Story) |
| Gcina Mhlophe, Born in the RSA |
| Bill Raymond, Cold Harbor |
| Clarice Taylor, Moms |
| Sustained Excellence of Performance | Blackeyed-Susan |
| Philip Bosco |
| Andrew Jackson |
| Design | Paul Gallo, lighting design, The Hunger Artist |
| James F. Ingalls, sustained excellence of lighting design |
| Robert Israel, set and costume design, The Hunger Artist |
| Sustained Achievement | Charles Ludlam and the Ridiculous Theatrical Company |
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