| Best New American Play | Sam Shepard, Fool for Love |
| Best Musical | Lee Bruer and Bob Telson, Gospel at Colonus |
| Playwriting | Samuel Beckett, Ohio Impromptu, What Where, Catastrophe and Pocket |
| Maria Irene Fornes, The Danube, Sarita and Mud |
| Vaclav Havel, A Private View |
| Len Jenkin, Five of Us |
| Franz Xaver Kroetz, Through the Leaves and Mensch Meier |
| Ted Tally, Terra Nova |
| Direction | JoAnne Akalaitis, Through the Leaves |
| Maria Irene Fornes, The Danube, Sarita and Mud |
| Lawrence Sacharow, Five of Us |
| Sam Shepard, Fool for Love |
| Performances | F. Murray Abraham, Uncle Vanya |
| Kathy Baker, Fool for Love |
| Sheila Dabney, Sarita |
| Morgan Freeman, Gospel at Colonus |
| George Guidall, Cinders |
| Ed Harris, Fool for Love |
| Frederick Haumann, Through the Leaves |
| Richard Jordan, A Private View |
| Ruth Maleczech, Through the Leaves |
| Stephen McHattie, Mensch Meier |
| Will Patton, Fool for Love |
| Pamela Reed, sustained excellence of performance |
| Dianne Wiest, Serenading Louie and Other Places |
| Design | Adrianne Lobel, set design, The Vampires and All Night Long |
| Anne Militello, sustained excellence of lighting design |
| Bill Stabile, set design, Spookhouse, Damnee Hanon and Sacree Sandre |
| Douglas Stein, set design, Through the Leaves |
| Sustained Achievement | Music-Theatre Group/Lenox Arts Center |
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