| Playwriting | Lee Breuer, A Prelude to Death in Venice |
| Christopher Durang, Sister Mary Ignatius Explains It All for You |
| Romulus Linney, Tennessee |
| Roland Muldoon, Full Confessions of a Socialist |
| Jeff Weiss, That's How the Rent Gets Paid (Part Three) |
| Direction | A. J. Antoon, The Art of Dining |
| Edward Cornell, Johnny on a Spot |
| Elizabeth LeCompte, Point Judith |
| Performances | Michael Burrell, Hess |
| Michael Cristofer, Chinchilla |
| Lindsay Crouse, Reunion |
| Elizabeth Franz, Sister Mary Ignatius Explains It All for You |
| Morgan Freeman, Mother Courage and Coriolanus |
| John Heard, Othello and Split |
| Michael Higgins, Reunion |
| Madeleine Le Houx, La Justice |
| Jon Polito, performances with Dodger Theatre Company and the BAM Theater Company |
| Bill Raymond, A Prelude to Death in Venice |
| Dianne Wiest, The Art of Dining |
| Hattie Winston, Mother Courage and The Michigan |
| Design | Laura Crow, costume design, Mary Stuart |
| Beverly Emmons, distinguished lighting design |
| Sally Jacobs, Conference of the Birds |
| Ruth Maleczech and Julie Archer, Vanishing Pictures |
| Sustained Achievement | Sam Shepard |
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