| Best Play: | Naomi Wallace, One Flea Spare |
| Best Production: | Peter and Wendy |
| Playwriting: | Eve Ensler, The Vagina Monologues; |
| David Henry Hwang, Golden Child; |
| Paula Vogel, How I Learned to Drive; |
| Lanford Wilson, Sympathetic Magic |
| Direction: | Mark Brokaw, How I Learned to Drive |
| Performance: | Andre Braugher, Henry V; |
| Tsai Chin, Golden Child; |
| Jennifer Dundas, Good As New; |
| David Greenspan, The Boys in the Band; |
| Karen Kandel, Peter and Wendy; |
| Albert Macklin, June Moon; |
| David Morse, How I Learned to Drive; |
| Mary Louise Parker, How I Learned to Drive; |
| Sharon Scruggs, The Trojan Women; |
| Ray Anthony Thomas, Volunteer Man; |
| Ching Valdes-Aran, Flipzoids |
| Design: | Derek McLane, sustained excellence of set design; |
| Shirley Prendergast, sustained excellence of lighting design; |
| Catherine Zuber, sustained excellence of costume design |
| Special Citations: | Joanne Camp, sustained excellence of performance; |
| Arthur French, sustained excellence of performance; |
| Roger Guenveur Smith and Mark Anthony Thompson, A Huey P. Newton Story; |
| Howard Crabtree and the creators of When Pigs Fly; |
| James Hatch and Camille Billops; |
| Dona Ann McAdams; |
| Tap Dogs; |
| Jeanine Tesori, music for Violet |
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