| Share

Erwin Panofsky

Panofsky, Erwin (pănŏfˈskē) [key], 1892–1968, American art historian, b. Germany, Ph.D. Univ. of Freiburg, 1914. After teaching (1921–33) at the Univ. of Hamburg and serving as professor of fine arts at New York Univ., he joined (1935) the faculty at the Institute for Advanced Study, Princeton, N.J. His writings are among the most important of the 20th cent. in art history. Panofsky contributed studies, particularly in the realm of iconography, of the medieval, Renaissance, mannerist, and baroque periods. He is admired for his immense erudition, his discoveries, and his profound observations, laced with touches of humor. Among his principal works in English are Studies in Iconology (1939, 2d ed. 1962), Albrecht Dürer (1943, 4th ed. 1955), Early Netherlandish Painting (1953), and Renaissance and Renascenses in Western Art (2d ed. 1965). Other writings include The Codex Huygens and Leonardo da Vinci's Art Theory (1940), Abbot Suger on the Abbey Church of St.-Denis and Its Art Treasures (1946), Gothic Architecture and Scholasticism (1951), Galileo as a Critic of the Arts (1954), Meaning in the Visual Arts (1955), Correggio's Camera di San Paolo (1961), Tomb Sculpture (1964), Idea: A Concept in Art Theory (1924, tr. 1968), and Problems in Titian, Mostly Iconographic (1969).

The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.

More on Erwin Panofsky from Infoplease:

See more Encyclopedia articles on: American and Canadian Art: Biographies

Premium Partner Content
HighBeam Research
Documents Images and Maps Reference
(from Newspapers, Magazines, Journals, Newswires, Transcripts and Books)

Research our extensive archive of more than 80 million articles from 6,500 publications.

Additional search results provided by HighBeam Research, LLC. © Copyright 2005. All rights reserved.

24 X 7

Private Tutor

Click Here for Details
24 x 7 Tutor Availability
Unlimited Online Tutoring
1-on-1 Tutoring