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Robert Adam

Adam, Robert (ădˈəm) [key], 1728–92, and James Adam,yes 1730–94, Scottish architects, brothers. They designed important public and private buildings in England and Scotland and numerous interiors, pieces of furniture, and decorative objects. Robert possessed the great creative talents, with his brother James serving chiefly as his assistant. Robert Adam designed his buildings to achieve the most harmonious relation between the exterior, the interior, and the furniture. His light, elegant, and essentially decorative style was a free, personal reconstitution of antique motifs. He drew upon numerous sources including earlier English Palladian architecture, French and Italian Renaissance architecture, and the antique monuments themselves as he knew them through publications and personal investigation. Adam himself contributed an important study, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia (1764). For decorative painting, Adam employed such artists as Angelica Kauffmann and Antonio Zucchi. The Adam manner gained great favor in his day, and designs in the Adam style have never ceased to appear. Especially interesting examples of Adam planning and decoration are Osterly Park, Middlesex (1761–80); Syon House, Middlesex (1762–69); and Luton Hoo, Bedfordshire (1768–75). The brothers wrote Works in Architecture of Robert and James Adam (3 vol., 1778–1822). Robert was architect to the king from 1762 until 1768, when he was succeeded by James. Robert Adam was buried in Westminster Abbey.

See J. Fleming, Robert Adam and His Circle (1962) and D. Stillman, The Decorative Work of Robert Adam (1966); D. Yarwood, Robert Adam (1970).

The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.

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Adam Leitman Bailey.(Robert H. Goldberg appointed)(Brief Article) (Real Estate Weekly)

Picture perfect: this survey of Robert Adam's houses offers new insights into buildings that might have been designed for photography.(The Country Houses of Robert Adam fom the Archives of Country Life)(Book review) (Apollo)

Beyond the needle's eye: Robert Adam's Huntwick Lodge at Nostell Priory, Yorkshire: a newly discovered drawing by Robert Adam for Nostell Priory's Huntwick Lodge transforms our view of this overlooked element in the house's landscape setting. As Gareth J.L. Williams explains, the building is unique in Adam's work for its use of a 17th-century vernacular style, and may even have been designed to appear partly ruined. (Apollo)

Reinventing Culzean: between 1973 and 1983 the National Trust for Scotland made great changes to the interiors of Culzean Castle, Ayrshire, in order to emphasise the work by Robert Adam. Ian Gow, the Trust's curator, explains why many of those alterations are now being revised. (Apollo)

Take a chair: for his latest exhibition, Hugh Buchanan has depicted furniture by Robert Adam at Osterley and Syon. Eileen Harris examines the remarkable sympathy between architect and artist. (Apollo)

One respected organisation for Asian culture has lacked a headquarters and gallery--until now. Samson Spanier visited the site, a house from the age of Robert Adam.(London News) (Apollo)

No fishy tale: a true account of the Fishing Room at Kedleston: built in 1770-72 as a picnic room, boat house and cold bath, Robert Adam's fishing room at Kedleston, Derbyshire, is one of his most enchanting designs. Eileen Harris traces its history and Alastair Laing proposes an attribution for its mysterious paintings of fish. (Apollo)

A private sensibility: Simon Poe visits the newly opened Compton Verney, near Stratford-upon-Avon, a restored house by Robert Adam which is new home to the collections of Sir Peter Moores.(Exhibitions) (Apollo)

Thomas Hope's house in Duchess Street: the interiors created by Hope to display works of art in his London house were some of the most influential of the Regency age. A fuller story of their evolution can now be told, following the discovery of drawings by Robert Adam and C. H. Tatham. (Apollo)

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