| Share
 

motion pictures

Swedish Film

Victor Sjöström and Mauritz Stiller were the two men most responsible for the first flowering of Swedish films (c.1917–c.1924); Sjöström's Phantom Chariot (1920) was especially notable. When the Swedish film attained success and a world market, Hollywood and the German studios stepped in and hired the best technicians and artists, effectively destroying the industry. After World War II, Gösta Werner, Arne Sucksdorf, and Alf Sjöberg (especially his Torment, 1947) gained international repute. Film in Sweden was brought to unprecedented heights in the visionary works of Ingmar Bergman, a giant of modern cinema. He retired from filmmaking in 1983. Other modern Swedish directors of note include Bo Widerberg and Mai Zetterling. In 1987, Lasse Hallstrom's My Life as a Dog became the most successful Swedish film released abroad.

Bibliography

See J. Donner, The Personal Vision of Ingmar Bergman (1964); P. Cowie, Swedish Cinema (1966); A. Kwiatowski, Swedish Film Classics (1983); P. O. Qvist and P. Von Bagh, Guide to the Cinema of Sweden and Finland (1999).

The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.

More on motion pictures Swedish Film from Infoplease:

See more Encyclopedia articles on: Film and Television


Premium Partner Content
HighBeam Research
Documents Images and Maps Reference
(from Newspapers, Magazines, Journals, Newswires, Transcripts and Books)

Research our extensive archive of more than 80 million articles from 6,500 publications.

Additional search results provided by HighBeam Research, LLC. © Copyright 2005. All rights reserved.

24 X 7

Private Tutor

Click Here for Details
24 x 7 Tutor Availability
Unlimited Online Tutoring
1-on-1 Tutoring