modern art: Geometric Abstraction

At roughly the same time as cubism was developing, Russia made extraordinary contributions to the current of nonfigurative art. The sculptors Naum Gabo and Antoine Pevsner joined the movement known as constructivism (c.1913–c.1921), and the painter Casimir Malevich founded suprematism (1913). In Holland members of the Stijl group (1917–31), including Mondrian and Theo van Doesburg, created a disciplined, nonobjective art. These Russian and Dutch developments in the second decade of the 20th cent. were applicable to many varieties of art and industrial design, and their principles converged in the teachings of the Bauhaus in the 1920s. Kandinsky, the highly imaginative Paul Klee, and the American Lyonel Feininger were among the celebrated exponents of the Bauhaus.

Sections in this article:

• Introduction
• Modern Sculpture
• Postwar Modern Art and the Rejection of Modernism
• Other Modes of Modern Art
• Geometric Abstraction
• Cubism
• The Isms of Early Twentieth-Century Art
• Nineteenth-Century Painting after Impressionism
• Impressionism
• Origins of Modern Art
• Bibliography

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