Humorist Robert Benchley was a theater critic, essayist, and entertainer whose witty essays on the small trials of daily life made him the
Dave Barry of his day. Benchley grew up in Worcester, Massachusetts and attended Harvard, where he edited
The Harvard Lampoon and gained a reputation as a funny after-dinner speaker (in an era when the after-dinner speech was considered something of an art form). After graduation he moved to New York City, eventually landing at
Vanity Fair, where he shared an office with
Dorothy Parker; there the pair began attending the daily lunches of writers, actors and wags at the Algonquin Hotel that became known as the Algonquin Round Table. Benchley later covered the theater for
Life magazine (1920-29) and began writing for
The New Yorker (1927-40). As one of the key writers of the magazine's early days, he wrote about newspapers in his feature
The Wayward Press, served as chief theater critic, and wrote dozens of the offbeat casual essays for which he is best known. He also wrote a thrice-weekly humor column for Hearst Newspapers, describing his daily battles with troublesome typewriter ribbons, belligerent pigeons and persistent hiccups. His newspaper columns and magazine essays were collected in a series of popular books, including
Pluck and Luck (1925) and
My Ten Years in a Quandary, and How They Grew (1936). In the 1930s he began splitting his time between New York and Hollywood, where he wrote and appeared in a series of self-deprecating shorts with names like
How to Train a Dog and
How to Break 90 at Croquet. One,
How to Sleep, featured Benchley tossing and turning in pajamas and won the 1935 Academy Award as the year's best short subject. His reputation as a drinker and raconteur was emphasized in his comic roles in feature films, including the
Alfred Hitchcock thriller
Foreign Correspondent (1940), the
Fred Astaire film
You'll Never Get Rich (1941), and the 1946
Bing Crosby and
Bob Hope comedy
The Road to Utopia.
Extra credit: Benchley was married to his grade-school sweetheart, Gertrude Darling, from 1914 until his death. Their son was the author Nathaniel Benchley; Nathaniel's son Peter Benchley wrote the shark-terror novel
Jaws, the basis for the 1975
Steven Spielberg film... Benchley had his own radio program from 1938-40, titled
Melody and Madness, with music provided by bandleader
Artie Shaw... Benchley's books were illustrated by his Harvard classmate
Gluyas Williams; the witty pen-and-ink drawings became closely associated with the image of Benchley himself.
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